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Faisal Samra
Galerie Nathalie Obadia,
Paris, on a proposal of Marc Pottier, 2009
I met Faisal Samra in the 80s when he spent
some years in Paris coming from Manama. At this time he was working
using the traditional culture of his origins: suspended and moving
canvases of abstract paintings, hung from bamboo, done with his
sensation and emotion, nourished with the spirit of Dada and Marcel
Duchamp. This is how he was feeding a work explaining his homage
to the Silk Road with the occidental perception of what painting,
collage, installation… were about.
Then I lost contact with his work until his
2007 exhibition at The Khalid Shoman Foundation in Amman. This
has been a wonderful surprise for me: videos, digital images and
photography, many new materials he uses now, confronting us with
an improvised cycle on the theme of construction and destruction,
considering the creative act by itself remembering us Jackson
Pollock’s revolution or Helio Oiticica’s brazilian
performances. His purpose is questioning why does an artist have
to create new images in our saturated world and maybe in each
of our own over knowledgeable life.
Marc Pottier
Paris, May 2008
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